1850-1950
Are we missing something?
We are continually adding to our bibliography and are always interested to hear about new research in the field.
Please contact us if you would like to contribute.
Email: swarnetwork.contact@gmail.com
Addison, Rosemary. “Familiar Patterns: Cecile Walton.” Scottish Book Collector vol. 7 no. 5 (2005): 4-7.
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Addison, Rosemary. “Spirited Activity: Scottish Book Design and Women Illustrators, 1890-1920.” Journal of the Scottish Society for Art History vol 5 (2000): 59-68
Addison, Rosemary, “Women Artists and Book Illustration in Edinburgh, 1886-1945.” PhD diss., Heriot-Watt University, 2004.
Arthur, Liz. Glasgow Girls: Artists and Designers, 1890-1930. Kirkudbright: Kirkudbright 2000 Ltd, 2000. Exhibition catalogue.
Arthur, Liz. The Unbroken Thread: A Century of Embroidery and Weaving at Glasgow School of Art. Renfrew: Gardner Gibson, 1994.
Bird, Liz. “Threading the Beads: Women in the Arts in Glasgow, 1870-1920.” In Uncharted Lives: Extracts from Scottish Women’s Experiences, 1850-1982, edited by Glasgow Women’s Studies Group, 98-117. Glasgow: Pressgang, 1983
Burkhauser, Jude et al. Glasgow Girls: Women in Art & Design, 1880-1920. Edinburgh: Cannongate, 1990
Coleing, Linda. “Ann Macbeth and the Glasgow School,” in Chic Thrills: A Fashion reader, edited by Juliet Ash and Elizabeth Wilson, 213-224. Berkeley: University of California, 1992.
Cumming, Elizabeth, “Phoebe Anna Traquair HRSA (1852-1936) and her Contribution to the Arts and Crafts in Edinburgh.” PhD diss., University of Edinburgh, 1986.
---. Hand, Heart and Soul: The Arts and Crafts Movement in Scotland. London: Birlinn Limited, 2013.
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---, Phoebe Anna Traquair. Edinburgh: National Galleries of Scotland, 2005.
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---. The Arts and Crafts Movement in Dublin and Edinburgh, 1885-1925. Dublin: Irish Academic Press, 1998.
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Frank, Arthur, Hannah Frank, A Glasgow Artist: Drawings and Sculptures. Glasgow: Scottish Jewish Archives Centre, 1988.
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Gunderson, Sandra Lucretia, “Glasgow's new woman in art: "studiotic" daughters from the Macdonald School of Spook.” Master’s thesis, University of Alberta, 1994.
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Helland, Janice. Professional Women Painters in Nineteenth Century Scotland: Commitment, Friendship, Pleasure. Hants: Ashgate Publishing Company, 2000.
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---, The Studios of Frances and Margaret MacDonald, Manchester: Manchester University Press, 1996
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Jarron, Matthew. “Placed Under No Disqualification: Women Artists in She-Town.” Journal of the Scottish Society for Art History vol. 21 (2016-2017): 47-54
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Macfarlane, Fiona C. and Elizabeth F. Arthur. Glasgow School of Art Embroidery, 1894-1920. Glasgow: Glasgow Museums and Art Galleries, 1980.
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Olivia, Cordelia, Jessie M King, 1875-1949. Edinburgh: The Scottish Arts Council, 1971
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Robertson, Pamela, Doves and Dreams: The Art of Frances Macdonald and James Herbert McNair. Glasgow: Hunterian Art Gallery, University of Glasgow, 2007.
Strang, Alice. “Introduction: Scotland’s Women Artists 1885-1965.” Journal of the Scottish Society for Art History vol. 21 (2016-2017): 7-12
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Strang, Alice, et al, Modern Scottish Women: Painters and Sculptors 1885-1965. Edinburgh: National Galleries of Scotland, 2015
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Swain, Margaret. “Mrs Newbery’s Dress.” Costume vol. 12 no. 1 (January 1978): 64-73.
Tanner, Ailsa, Bessie MacNicol: New Woman 1989. Helensburgh: Ailsa Tanner, 1998.
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White, Colin, A Guide to the Printed Work of Jessie M King. London: The British Library, 2007.
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White, Colin, The Enchanted World of Jessie M. King. Edinburgh: Cannongate Books Ltd, 1989.
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