Pre-1850
Morgan, Margery. "Jacobitism and Art after 1745: Katherine Read in Rome." Journal for Eighteenth-Century Studies vol. 27 no.2 (2008): 233-244.
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Strobel, Heidi A. "Royal Matronage" of Women Artists in the Late-18th Century." Women's Art Journal vol 26 no. 2 (2005): 3.
1850-1950
Arthur, Liz. Glasgow Girls: Artists and Designers, 1890-1930. Kirkudbright: Kirkudbright 2000 Ltd, 2000. Exhibition catalogue.
Burkhauser, Jude et al. Glasgow Girls: Women in Art & Design, 1880-1920. Edinburgh: Cannongate, 1990
Cumming, Elizabeth, “Phoebe Anna Traquair HRSA (1852-1936) and her Contribution to the Arts and Crafts in Edinburgh.” PhD diss., University of Edinburgh, 1986.
---. Hand, Heart and Soul: The Arts and Crafts Movement in Scotland. London: Birlinn Limited, 2013.
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---, Phoebe Anna Traquair. Edinburgh: National Galleries of Scotland, 2005.
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---. The Arts and Crafts Movement in Dublin and Edinburgh, 1885-1925. Dublin: Irish Academic Press, 1998.
Gunderson, Sandra Lucretia, “Glasgow's new woman in art: "studiotic" daughters from the Macdonald School of Spook.” Master’s thesis, University of Alberta, 1994.
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Harris, Paul and Halsby, Julian. The Dictionary of Scottish Painters, 1600-1960. Edinburgh: Canongate, 1990.
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Helland, Janice. Professional Women Painters in Nineteenth Century Scotland: Commitment, Friendship, Pleasure. Hants: Ashgate Publishing Company, 2000.
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---, The Studios of Frances and Margaret MacDonald, Manchester: Manchester University Press, 1996
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Jarron, Matthew. “Placed Under No Disqualification: Women Artists in She-Town.” Journal of the Scottish Society for Art History vol. 21 (2016-2017): 47-54
Kelleway, Philip. “The Zinkeisen Sisters and Celebrity Culture.” Journal of the Scottish Society for Art History vol 21 (2016-2017): 27-32
Knox, James, The Glasgow Girls and Boys. London: Fleming Collection, 2020.
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Robertson, Pamela, Doves and Dreams: The Art of Frances Macdonald and James Herbert McNair. Glasgow: Hunterian Art Gallery, University of Glasgow, 2007.
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Scott, Helen E., Mary Cameron: Life in Paint. Bristol: Sansom, 2019.
Strang, Alice. “Introduction: Scotland’s Women Artists 1885-1965.” Journal of the Scottish Society for Art History vol. 21 (2016-2017): 7-12
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Strang, Alice, et al, Modern Scottish Women: Painters and Sculptors 1885-1965. Edinburgh: National Galleries of Scotland, 2015
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Stirling Smith Art Gallery and Museum, Stirling Girls: Towards a Women's History of Stirling. Stirling: Stirling Smith Art Gallery and Museum, 2003
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Tanner, Ailsa, Bessie MacNicol: New Woman 1989. Helensburgh: Ailsa Tanner, 1998.
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Post-1850
Andreae, Christopher, Joan Eardley. Farnham: Lund Humphries Publishers Ltd, 2013
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Banerjee, Debi. “Waiting Figure in a Landscape: The Painting of Carole Gibbons.” Visual Culture in Britain vol 21 issue 1: Women Painting: Scottish Art 1940-1980 (2020): 114-132.
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Barns-Graham, Wilhemina and Art First, Wilhelmina Barns-Graham: A Survey of Important Works 1945-1995. London; St Andrews: Art First; Barns-Graham Charitable Trust, 2014
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Blackadder, Elizabeth, The Artist at Work in Her Studio. London: Royal Academy of Arts, 2002.
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Bourne, Patrick, Anne Redpath 1895–1965: Her Life and Work. Edinburgh: Bourne Fine Art, 1989.
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Brownrigg, Jenny, “Bet Low: An Active Career.” Visual Culture in Britain vol 21 no. 1 (2020): 57-72.
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Button, Virginia. Wilhelmina Barns-Graham. Bristol: Sansom & Company, 2020
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Elliot, Patrick. Joan Eardley: A Sense of Place. Edinburgh: National Galleries of Scotland, 2016.
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Elliot, Patrick. Joan Eardley: Land & Sea - A Life in Catterline. Edinburgh: National Galleries of Scotland, 2021.
Greated, Marianne. “The Grand Dame and the Canvas Ceiling: Lys Hansen.” Visual Culture in Britain vol 21 issue 1: Women Painting: Scottish Art 1940-1980 (2020): 73-97.
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Greated, Marianne and Susannah Thompson. “Introduction: Women Painting: Scottish Art 1940-1980.” Visual Culture in Britain vol 21 issue 1: Women Painting: Scottish Art 1940-1980 (2020): 1-13.
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Green, Lynne and Barns-Graham, Wilhemina, W. Barns Graham: A Studio Life. Burlington, VT: Lund Humpries, 2001
Greene, L. et al., Wilhelmina Barns-Graham: A Scottish Artist in St Ives. St Andrews: Barns-Graham Charitable Trust, 2012
Long, Philip, Anne Redpath, 1895-1965. Edinburgh: National Galleries of Scotland, 1996.
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McDonald, Kyla, “The Multiple Selves of Pat Douthwaite.” Visual Culture in Britain vol 21 no. 1 (2020): 14-29.
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Oliver, Cordelia, Joan Eardley, RSA: A Biography. Edinburgh: Mainstream, 1988.
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Pearson, Fiona, Joan Eardley. Edinburgh: National Galleries of Scotland, 2007.
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Rostek, Charlotte, Scottish Women Artists. London: The Fleming Collection, 2022.
Tatham, Joanne and Tom O’Sullivan. “A Woman Unknown to Herself.” Visual Culture in Britain vol 21 issue 1: Women Painting: Scottish Art 1940-1980 (2020):98-113.
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The Scottish Gallery, Modern Masters Women. Edinburgh: The Scottish Gallery, 2020.
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The Scottish Gallery, Wilhelmina Barns-Graham: A Journey Through Four Decades. Edinburgh: The Scottish Gallery, 2019
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Thompson, Susannah. “’Cod Liver Oil’: The Art and Criticism of Cordelia Oliver.” Visual Culture in Britain vol 21 no. 1 (2020): 30-56.
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Wilhelmina Barns-Graham Trust, Wilhelmina Barns-Graham: Inspirational Journeys. Edinburgh: Wilhelmina Barns-Graham Trust, 2019.
Are we missing something?
We are continually adding to our bibliography and are always interested to hear about new research in the field.
Please contact us if you would like to contribute.
Email: swarnetwork.contact@gmail.com
